![]() Her experience of different landscapes made her increasingly enthusiastic about her sculptures being shown in the open air. Untouched by passing fashions, Frink created mostly figurative sculptures, the human male and animals being among her favorite subjects. ![]() ![]() Although Frink made many drawings and prints, she is best known for her bronze outdoor sculptures. Using the forms of men, animals and birds, she explored the ambiguities of human relationships, injustice and impermanence and their effect on the natural world. Born in Suffolk in 1930, she studied at the Chelsea School of Art, graduating in 1953. She was awarded honorary doctorates from several universities, and was given the title CBE and Dame. Dame Elisabeth Frink was a leading British sculptor and printmaker. She studied at the Chelsea School of Art from 1949 to 1953 and was part of the post-war group of British sculptors who became known as the Geometry of Fear School. Date 1970 Media category Print Materials used colour lithograph Edition 11/70. The large scale completed buffaloes differ in feel slightly, appearing smoother and more polished, perhaps an aknowlegement on Frink's part of her audience and the style of architecture they were to sit in.ĭame Elisabeth Frink was a leading figure in British sculpture. Hare, from the series Wild animals 1970 Artist. The rough and expressive exterior of Standing Buffalo, and the other maquettes Frink produced for the commission, show every mark made, not only by the artist's hands but her tools as well, and show Frink at her most expressive. It is also highly likely that she took inspiration from stone figures that line the approach to the Ming tombs outside Beijing. She was particularly influenced by animal forms depicted on ritual bronze vessels made from the Chou Dynasty (1249 - 1122 BC) that she was particularly drawn to for the standing buffalo. The sculpture, with its embryonic wings, is also, said Jammet, "the epitome of the way she saw man, as capable of great heroism – like her soldier father whom she worshipped – but also hugely vulnerable".As Frink was fascinated with nature and its animals, the commission to depict two buffalo came naturally to her but this new departure also gave her an opportunity to look to another culture for inspiration. Lin Jammet, Frink's son and manager of her estate, said: "It's a really important piece because it gives you a sense of the speed and spontaneity with which my mother worked, showing how she'd model quickly in plaster and then carve the form back." things, as well as the beauty, in both animals and people. The sculpture was gifted to the Art Fund by the Frink estate and her gallery, the Beaux Arts, with the proviso that it went on display and not into storage. I was introduced to Elisabeth Frinks work by my wife in the 1980s, and the. Her Times obituary noted the three essential themes in her work as 'the nature of Man the 'horseness' of horses and the divine in human form'. Bobcat Dame Elisabeth Frink 1970 33.2001.1. Dame Elisabeth Jean Frink CH DBE RA (14 November 1930 18 April 1993) was an English sculptor and printmaker. Animal Form Dame Elisabeth Frink 1962 282.1998. Another influence was her memory of an air force boyfriend who was badly injured when his parachute failed to inflate. Bear, from the series Wild animals 1970 Artist. The sculptor, who died in 1993, is thought to have been inspired to create the 1.9 metre-high half-man, half-bird figure in plaster after reading in Paris Match about a real-life birdman, Léo Valentin, who tried to fly, Icarus-like, with wings. The work, valued at £250,000, has been gifted to the Leeds sculpture collection in a deal through the Art Fund charity.įrink is known for her battered and distorted-looking human and animal figures, and curator Sophie Raikes believes her most interesting work is from the late 50s and early 60s, "when she was developing a new style and combining figurative and animal forms in truly original ways".
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